painting in progress 7

More metal was added. More gems were added. The amber stone on the aluminum was replaced by a garnet.

painting in progress 6

More metal was added. Parts of the metals were underlayed with a thin layer of polymer clay (fimo) to make deeper embossing (repoussee) possible (for example upper right side and bottom middle). Parts of metal were cut apart. New parts were embossed, nailed or glued on. The aluminum part in the middle was moved towards the brass part. The amber stone was set onto this aluminum part.

Details were over painted to bring about more connection between the parts of the painting and to effect a movement going from one side to another without breaks (part below the aluminum upper right side).

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Nov. 11 More aluminum, brass and copper, partly embossed, was added. Acrylic gold and silver paint was used additionally. The copper and brass parts have various thickness. Most are 38 gauge (comparable a few layers of household aluminum foil). Some are 26 gauge (about a thin slice of cheese or sausage).

painting in progress 5

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Nov. 11 More aluminum, brass and copper, partly embossed, was added. Acrylic gold and silver paint was used additionally. The copper and brass parts have various thickness. Most are 38 gauge (comparable a few layers of household aluminum foil). Some are 26 gauge (about a thin slice of cheese or sausage).

More aluminum, brass and copper, partly embossed, was added. Acrylic gold and silver paint was used additionally. The copper and brass parts have various thickness. Most are 38 gauge (comparable a few layers of household aluminum foil). Some are 26 gauge (about a thin slice of cheese or sausage).

Add a caption

Nov. 11 More aluminum, brass and copper, partly embossed, was added. Acrylic gold and silver paint was used additionally. The copper and brass parts have various thickness. Most are 38 gauge (comparable a few layers of household aluminum foil). Some are 26 gauge (about a thin slice of cheese or sausage).

painting in progress 4

Nov. 10
some of the original shapes were over painted. The painting starts to become different from the drawing now. More coloring was done. Silver metallic color was added. The amber stone was placed between the metals temporary.

painting in progress 3

Nov.09
Vidridian green (chrome oxide green) and Carbazole violet were added. Other colors I used up to now: Ultramarine blue, Cobalt blue, Cerulean blue, Phtalocyanine blue, Primary blue (cyan), Prussian blue (almost nothing), Titanium white, Mars black. Additionally to these acrylic colors I used black ink pens in the beginning for the outlines.

the pieces of metal and stones are attached permanently. More violet and ultramarine blue (lapis lazuli blue) was used. The amber stone in the middle was exchanged. Now there`s a lapis lazuli.

painting in progress 2

I did more shading of the colors, and the copper piece bottom right side is attached permanently, as well as the stones on it. There are a few more little pieces of metal.

painting in progress

A while ago I made a drawing listening to Lyre music of Michael Levy
website:
http://www.ancientlyre.com

Now I started a painting on wood. I try to combine painting and metal the first time.
I was now inspired by the music of Dominic Johnson and Michael Levy from England, who recorded a piece with Sitar, Lyre, violin and tablas together.
Download and short excerpt available at
http://www.cdbaby.com/cd/dominikjmusic

website
http://www.dominikjohnson.com

The metals I use up to now (Nov.6th) are copper, brass and pewter.
The dimension of the painting is about 20x24 inches. The colors are acrylic paint.

original drawing from 2008

 

enlarged excerpt with metals and gems (only temporary attached with self adhesive mass):