acrylic, pen, layers of epoxy resin, embossed metal, real gold flakes, glass gems, abalone shell parts, mirrors, CD parts on wood panel.
10.5 x 8 in
layers of epoxy were painted with acrylic colors and pens. Various things were embedded. In the photo you cannot see the diffraction of the light caused by the mirrors and CD parts, when you watch the painting from different angles.
Nachtlied by Georg Trakl
Des Unbewegten Odem. Ein Tiergesicht
Erstarrt vor Bläue, ihrer Heiligkeit.
Gewaltig ist das Schweigen im Stein;
Die Maske eines nächtlichen Vogels. Sanfter Dreiklang
Verklingt in einem. Elai! dein Antlitz
Beugt sich sprachlos über bläuliche Wasser.
O! ihr stillen Spiegel der Wahrheit.
An des Einsamen elfenbeinerner Schläfe
Erscheint der Abglanz gefallener Engel.
Nocturne by Georg Trakl
The life-breath of the unmoved. The face of an animal
Is paralyzed with blueness, of her holiness.
Mighty is the silence in stone;
The mask of a nocturnal bird. Gentle triad
Dies away into one. Elai! your countenance
Bends speechless over bluish waters.
O! you silent mirrors of truth.
On the ivory temple of the lonely
Appears the reflection of fallen angels.
translated by Daniel Morse
http://www.societyofcomposers.org/user/danielmorse.html
Abstract acrylic paintings Epoxy Paintings Mixed Media Paintings with metalwork and gems
Blog Posts
I discovered acrylic paint for myself in 2007. Before I used oil colors and watercolors, sometimes combined with gel pens and ink pens. I paint on paper, canvas and since 2009 on wood panel. The painters of the middle ages painted on wood panel. I saw many of their masterpieces in galleries, and I was fascinated how detailed they were able to paint and how the colors came out on wood. I also saw their use of gold.
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In January 2011 I started making digital paintings.
"Construction on a purely abstract basis is a slow business, and at first seemingly blind and aimless. The artist must train not only his eye but also his soul, so that he can test colours for themselves and not only by external impressions."
Wassily Kandinsky, Ueber das Geistige in der Kunst-Concerning the Spiritual in art, 1912
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In January 2011 I started making digital paintings.
"Construction on a purely abstract basis is a slow business, and at first seemingly blind and aimless. The artist must train not only his eye but also his soul, so that he can test colours for themselves and not only by external impressions."
Wassily Kandinsky, Ueber das Geistige in der Kunst-Concerning the Spiritual in art, 1912
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