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I discovered acrylic paint for myself in 2007. Before I used oil colors and watercolors, sometimes combined with gel pens and ink pens. I paint on paper, canvas and since 2009 on wood panel. The painters of the middle ages painted on wood panel. I saw many of their masterpieces in galleries, and I was fascinated how detailed they were able to paint and how the colors came out on wood. I also saw their use of gold.
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In January 2011 I started making digital paintings.

"Construction on a purely abstract basis is a slow business, and at first seemingly blind and aimless. The artist must train not only his eye but also his soul, so that he can test colours for themselves and not only by external impressions."
Wassily Kandinsky, Ueber das Geistige in der Kunst-Concerning the Spiritual in art, 1912

Wednesday, September 8, 2010

St. George is killing the Dragon

St. George is killing the Dragon
acrylic, epoxy, colored embossed aluminum, pen
acrylic gems

wikipedia:
Saint George and the dragon

The episode of St George and the Dragon was a legend[24] brought back with the Crusaders and retold with the courtly appurtenances belonging to the genre of Romance. The earliest known depiction of the legend is from early eleventh-century Cappadocia, (in the iconography of the Eastern Orthodox Church, George had been depicted as a soldier since at least the seventh century); the earliest known surviving narrative text is an eleventh-century Georgian text.

In the fully developed Western version, which developed as part of the Golden Legend, a dragon or Crocodile makes its nest at the spring that provides water for the city of "Silene" (perhaps modern Cyrene) in Libya or the city of Lydda, depending on the source. Consequently, the citizens have to dislodge the dragon from its nest for a time, to collect water. To do so, each day they offer the dragon at first a sheep, and if no sheep can be found, then a maiden must go instead of the sheep. The victim is chosen by drawing lots. One day, this happens to be the princess. The monarch begs for her life to be spared, but to no avail. She is offered to the dragon, but there appears Saint George on his travels. He faces the dragon, protects himself with the sign of the cross,[25] slays the dragon, and rescues the princess. The grateful citizens abandon their ancestral paganism and convert to Christianity.

The dragon motif was first combined with the standardised Passio Georgii in Vincent of Beauvais' encyclopedic Speculum historale and then in Jacobus de Voragine, Golden Legend, which guaranteed its popularity in the later Middle Ages as a literary and pictorial subject.

The parallels with Perseus and Andromeda are inescapable. In the allegorical reading, the dragon embodies a suppressed pagan cult.[26] The story has other roots that predate Christianity. Examples such as Sabazios, the sky father, who was usually depicted riding on horseback, and Zeus's defeat of Typhon the Titan in Greek mythology, along with examples from Germanic and Vedic traditions, have led a number of historians, such as Loomis, to suggest that George is a Christianized version of older deities in Indo-European culture.

In the medieval romances, the lance with which St George slew the dragon was called Ascalon, named after the city of Ashkelon in Israel.

http://en.wikipedia.org/wiki/Saint_George

1 comments:

  1. Hey, I noticed art as one of your interests, I started a new art blog maybe u'll like it! Thanks and keep up great work.

    ReplyDelete